Neumann TLM 67

The current concept of the modern studio microphone is still strongly defined by Neumann's classic U 67. Introduced in 1960, it offered essentially linear frequency response in three polar patterns, as well as pad and low-cut options for then-new close-miking techniques. The U 67 was (and still is!) A true studio workhorse, and many top engineers consider it their "desert island" microphone. Vintage originals, however, are available today at collector's prices, beyond the reach of young engineers and musicians. The TLM 67 is an attractively priced alternative. The TLM 67 shares many of the key features of the U 67, including its elegant shape and famous tapered headgrille, which has since become iconic for the Neumann brand. In addition, the TLM 67 uses the same large-diaphragm capsule as its legendary predecessor, the classic K 67 capsule, also used in the Neumann U 87 A. Instead of the tube electronics of the U 67, the TLM 67 has a transformerless head amp built with highly reliable 21st-century solid state technology - but with a retro twist! The TLM 67's circuitry may be modern, but it faithfully reproduces the sound of the 1960s. This results in a seemingly low maximum SPL value of 105 dB (in cardioid mode) for 0.5% THD, but, as in a tube circuit, distortion gradually rises to 5% THD for 125 dB SPL. The TLM 67 thus captures the sound character and dynamic behavior of its famous predecessor without the use of tubes and without the inconvenience of a clunky PSU box and multipin cables. Visually too, the TLM 67 has a retro touch with a unique dual color scheme, combining a capsule head of classic satin nickel with a stylish pearl gray case. The front of the TLM 67, released in 2008, is adorned with a metal emblem of our founder, Georg Neumann, commemorating the company's 80th anniversary. Like its legendary predecessor, the TLM 67 is a universal studio microphone with three directional patterns - omni, cardioid and figure 8 - as well as low-cut and pad options. A true workhorse! Its unique tube-like midrange character makes the TLM 67 an excellent microphone for vocals and spoken word. Thanks to its essentially linear frequency response, it is also a versatile microphone for a wide range of instruments, including acoustic and electric guitar, piano, percussion, drum overheads and more.

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